Dollars Trilogy Coming to 4K UHD... Again (US)

Kino Lorber Studio Classics is releasing a new 4K UHD box set of Sergio Leone’s iconic Westerns—with a few key upgrades over their previous release

• Superior Transfers: The Dollars Trilogy films will utilize the acclaimed Arrow Video masters.

• Exclusive Disc Spec: Once Upon a Time in the West will feature a triple-layer (BD-100) disc to maximize bitrates, alongside an all-new audio commentary.

• Box Set Exclusive: This specific presentation of Once Upon a Time in the West will be available only within this set, not as a standalone release.
  
  

Coming out November 24th.

eBay Watch - Signed LVC Record

From time to time I will post interesting items that I see on eBay that would be of interest to a LVC fan. These are not endorsements of the sellers, just merely my observations of interesting or rare items.


The two LVC records are fairly rare, but this is the first time I have seen a signed one.  Price is a bit high, but you have to admit it is cool!

Item has a "Buy it Now" of $1365.00 or best offer.

https://www.ebay.com/itm/178463606742

Below are links to the actual songs on the 2 records.

https://thebadnet.blogspot.com/2023/05/lee-van-cleef-sings-1973-demo-record.html

https://thebadnet.blogspot.com/2023/06/lee-van-cleef-sings-1973-demo-record.html

https://thebadnet.blogspot.com/2023/07/lee-van-cleef-sings-1973-demo-record.html

https://thebadnet.blogspot.com/2023/08/lee-van-cleef-sings-1973-demo-record-if.html

LVC in the 1959 Academy Players Directory

 Click to enlarge!

Mean Frank and Crazy Tony - 1976 Promotional Flyer

 Click to enlarge!

Escape From New York - Original Teaser Trailer

 

The Master - Coming to Blu-ray (Germany)

 

Now out of print in the US, The Master has been released on DVD and Blu-ray in Germany.  Looks to be the same transfers with no extras.

Order Here

Armed Response - Coming to DVD UNCUT (Germany)

Coming to DVD in Germany on August 8.  It is being advertised as the "uncut version", however these cuts only ever applied to the European market.  It is likely the same as the US theatrical release.  What is unknown is if this is a new transfer.  Some sellers are saying it will be 16x9, while others are saying it will be open matte.  As this is only a DVD release, and not blu-ray, I suspect we may be getting the US laserdisc transfer at best.  If anyone gets this, let me know!

reversable cover

Armed Response - Poster Art Concept

Below is an image of the preliminary artwork for Armed Response under it's working title, The Jade Jungle.

Captain Apache and God's Gun coming to DVD in August (Sweden)

  

 
Captain Apache and God's Gun are coming to DVD in August in Sweden.  Both have been available on blu-ray for years.  Anybody still buy DVDs?

Commandos Soundtrack

 

Somehow I missed this, but Commandos did have a minor soundtrack release consisting of 3 tracks on the compilation album The Film Music of Nascimbene.

Limited to only 500 units, it is currently sold out, but can likely be found on the secondary market.

https://quartetrecords.com/product/the-film-music-of-mario-nascimbene/

COMMANDOS (1968), directed by Armando Crispino and starring Lee Van Cleef and Jack Kelly, is a violent war-adventure movie set during WW2, when an Italian-American commando outfit, disguised as an Italian Army unit, parachutes behind Axis lines in North Africa. Nascimbene’s powerful music relies heavily on the traditional Dies Irae chant to underscore this suicide mission.

 

Tracklist-

1. Introduzione magica (1:46)

2. Attesa drammatica (2:23)

3. Finale tragico (5:35)

New Grand Duel Blu-ray from 4k Restoration (France)

 

Coming out on August 20, 2026 from Carlotta Films is a new release of Grand Duel on blu-ray.  This disc is source from a new 4k master, which leads to the real question... where is the 4k UHD disc?

https://laboutique.carlottafilms.com/collections/clients-en-belgique/products/le-grand-duel-de-giancarlo-santi?srsltid=AfmBOopBQsUZ-ToUEwEnNK8ed-l9DMTVmql1HZ5ATPeYzYcPTJZHExkm

The Rip-Off aka The Squeeze Advertisement

 One of many films that had multiple titles-

Captain Apache - Australian Movie Press Sheet

 Click to enlarge-

Behind the Scenes of Thieves of Fortune (1989)

For followers of cult cinema, Thieves of Fortune (also known as Chameleon or Mexican Jackpot) holds a bittersweet place in film history. Released in 1990, it stands as the final film role for the legendary Lee Van Cleef, appearing on screens shortly after his passing in late 1989.

While the film is a globe-trotting adventure centered on a $28 million inheritance race, the real treasure for fans is seeing Van Cleef command the screen one last time. Here’s a look at the behind-the-scenes world of his final production.

The Patriarch of the Fortune

In Thieves of Fortune, Van Cleef plays Don Sergio Danielo Christophoro, the wealthy eccentric whose death (and complex will) triggers the film's frantic treasure hunt.

• A Poignant Performance: In a case of life imitating art, Van Cleef’s character is an aging patriarch looking back on his legacy. Despite his health challenges during filming, he brought a refined, regal dignity to Don Sergio. It was a departure from his usual "heavy" or "mercenary" roles, allowing him to play a man of immense stature and wealth.

• The Final Reel: This was the last time Van Cleef stood before a camera. For a man who built a career on being the ultimate survivor—from the dusty streets of Sergio Leone’s West to the dystopian ruins of Manhattan—seeing him play a character at peace, reconciling with old friends (like Michael Nouri’s character), provided a fitting cinematic goodbye.

Production Trivia: A Global Scavenger Hunt

Directed by Michael MacCarthy, the production was an ambitious South African-American collaboration. The "scavenger hunt" plot allowed the crew to utilize diverse and rugged locations to give the low-budget film a grander, international feel.

• South African Backdrops: Much of the "Mexican" and desert scenery was actually filmed in South Africa. The production leveraged the country's varied terrain to stand in for multiple global locations, a common tactic for action films of that era seeking high production value on a modest budget.

• Stunts and Spectacle: The film leaned heavily into the "adventure" craze of the late 80s, featuring everything from plane stunts and motorcycle chases to alligator wrestling. While Shawn Weatherly (a former Miss Universe) handled the physical heavy lifting, Van Cleef served as the narrative's gravity—the "eye of the storm" around which the chaos revolved.

• A "Boutique" Ensemble: The cast was a classic 80s mix, featuring Michael Nouri (Flashdance) and Shawn Weatherly. Behind the scenes, the cast and crew were well aware of the honor of working with a Hollywood legend. Nouri often spoke of the quiet authority Van Cleef brought to the set, noting that when Lee spoke, everyone—from the director to the grips—listened.

The Aesthetic: 1980s Adventure Grain

Thieves of Fortune carries that unmistakable late-80s film stock look—saturated colors, heavy grain in the outdoor sequences, and a synth-driven atmosphere.

The cinematographers made sure to treat Van Cleef’s final appearance with reverence. Even in his 60s, those "Angel Eyes" were as sharp as ever. The camera often lingered on his face during his monologues about the fortune, capturing the weathered texture of a man who had seen it all.

Legacy of a Legend

Thieves of Fortune might not have the mainstream recognition of The Good, the Bad and the Ugly, but for those who appreciate the full arc of Lee Van Cleef's career, it is an essential watch. It marks the end of an era—the final performance of a man who bridged the gap between the Golden Age of Hollywood and the explosion of international cult cinema.

Behind the Scenes of The Commander (1988)

By the late 1980s, the "Man with the piercing eyes" had transitioned from the dusty trails of Almería to the humid jungles of Southeast Asia, becoming a staple of the Italian-produced "Macaroni Combat" genre. In 1988, he teamed up once again with the master of low-budget spectacle, Antonio Margheriti, for the high-octane mercenary flick, The Commander (originally Der Commando). Today, we’re going behind the lens to see how this screen legend handled one of his final action roles. 

By 1988, the "Mercenary on a Mission" subgenre was in full swing. The Commander followed a group of soldiers of fortune sent into the Golden Triangle to destroy a heroin factory. While the film featured younger leads like Lewis Collins, it was the presence of Lee Van Cleef as Colonel Mazzarini that gave the movie its weight and "cool factor." 

Even at 63, and despite the health issues that would claim his life only a year later, Van Cleef was the heartbeat of the production. Unlike his more physical roles in the 60s, Van Cleef’s Mazzarini was the strategist. Much of his filming took place in "command center" sets. Crew members recalled that Lee didn't need to run through the jungle to be intimidating; he could dominate a room just by leaning over a map and squinting through his signature smoke. 

This was Van Cleef’s final collaboration with director Antonio Margheriti. Their shorthand allowed the production to move at lightning speed—essential for an Italian B-movie with a tight budget.

Despite the sweltering heat of the Philippines locations, Van Cleef remained a "one-take wonder." He was known for having his lines memorized and his blocking perfect, a trait that endeared him to the hardworking Italian crew.

The Commander would be one of Lee Van Cleef's final film appearances before his passing in 1989. While the movie is a wild, explosion-filled ride, there is a certain poignancy in watching Lee on screen. He brought a sense of dignity to a genre that was often chaotic. For fans of Van Cleef, The Commander isn't just an action movie—it’s a final masterclass in screen presence. He proved that you don't need a horse or a poncho to be the toughest man in the room; you just need that look.

New Soundtrack - Day of Anger 2 Disc Edition from Quartet

Just released from Quartet Records!

Quartet Records, in collaboration with GDM and Universal Music Publishing Italy, celebrates the centenary of Maestro Riz Ortolani with the ultimate edition of his classic, killer score for DAY OF ANGER (I giorni dell’ira, 1967), an iconic spaghetti western directed by Tonino Valerii and starring Lee Van Cleef and Giuliano Gemma. The film, one of the most beloved by fans of the genre, is about a scruffy street sweeper who becomes the pupil of a famed gunfighter, and the stage for confrontation is set when the gunman overruns the boy’s town through violence and corruption.

Riz Ortolani’ score finds him at the height of his creative powers, blending sweeping orchestral themes, tense action motifs and moments of surprising lyrical beauty into a uniquely sophisticated musical experience.

While Ennio Morricone’s influence often dominates discussions of music for Italian westerns, Ortolani’s approach to DAY OF ANGER reveals a distinct voice—elegant, dramatic and melodic. The unforgettable main theme (rediscovered by Tarantino and included in his film Django Unchained) captures the film’s atmosphere of revenge, ambition and moral conflict, while recurring motifs demonstrate the composer’s remarkable ability to balance raw tension with emotional depth.

Albums were released by RCA in 1967 in mono (the Italian LP) and stereo (the U.S. edition). Both featured the same track listing, though with different mixes, takes and edits on some tracks. That LP program was subsequently released on CD, but always in the Italian mono version until the two most recent reissues, which also included the film score in stereo. For this new 2-CD edition, we have included the complete score in stereo, in addition to the mono and stereo albums, from their respective original elements. The audio for this release (supervised by Claudio Fuiano) has been restored and mastered by Chris Malone; the package includes an essay by Jeff Bond.

This soundtrack remains an essential chapter in the history of the Italian western and a shining example of Riz Ortolani’s extraordinary legacy as one of Europe’s greatest film composers.

ORDER HERE
https://quartetrecords.com/product/day-of-anger-2-cd/

 

Tracklist-

DISC 1. 

THE ORIGINAL ALBUM (STEREO)

1. I Giorni Dell’Ira 3:07

2. Senza Pietà 2:21

3. Una notte serena 2:49

4. L’arma del killer 1:29

5. Fino all’ultimo colpo 2:56

6. I Giorni Dell’Ira (#2) 1:21

7. Fino all’ultimo colpo (#2) 3:00

8. Violenza, odio 1:34

9. Una notte serena (#2) 3:34

10. Un uomo forte 2:28

11. Fino all’ultimo colpo (#3) 1:26

THE ORIGINAL ALBUM (MONO)

12. I Giorni Dell’Ira 3:07

13. Senza pietà 2:21

14. Una notte serena 2:49

15. L’arma del killer 1:29

16. Fino all’ultimo colpo 2:56

17. I Giorni Dell’Ira (#2) 1:21

18. Fino all’ultimo colpo (#2) 3:00

19. Violenza, odio 1:34

20. Una notte serena (#2) 3:34

21. Un uomo forte 2:28

22. Fino all’ultimo colpo (#3) 1:26

Total Disc Time: 52:02

DISC 2. THE FILM SCORE (STEREO)

1. I Giorni Dell’Ira (#3) (Original Main Titles) 3:08

2. Una notte serena (#3) 2:50

3. L’arma del Killer (#2) 1:30

4. I Giorni Dell’Ira (#4 Saloon) 1:46

5. I Giorni Dell’Ira (#5) 1:49

6. Violenza, odio (#2) 1:28

7. Fino all’ultimo colpo (#4) 2:56

8. I Giorni Dell’Ira (#6) 1:22

9. I Giorni Dell’Ira (#7) 1:21

10. I Giorni Dell’Ira (#8 Saloon) 1:20

11. Violenza, odio (#3) 1:14

12. Una notte serena (#4) 2:05

13. Senza pietà (#2) 1:19

14. Un uomo forte (#2) 2:30

15. Violenza, odio (#4) 0:51

16. Fino all’ultimo colpo (#5) 3:01

17. I Giorni Dell’Ira (#9) 1:56

18. Una notte serena (#5 Harmonica) 1:28

19. I Giorni Dell’Ira (#10) 1:25

20. Violenza, odio (#5) 1:40

21. Fino all’ultimo colpo (#6) 1:25

22. Una Notte Serena (#6) 2:52

23. L’arma del killer (#3) 1:49

24. Una notte serena (#7 Harmonica) 1:16

25. I Giorni Dell’Ira (#11) 1:51

26. I Giorni Dell’Ira (#12) 1:56

27. Una notte serena (#8) 1:50

28. I Giorni Dell’Ira (#13) 1:04

29. I Giorni Dell’Ira (#14 Demo Song) 2:11

Total Disc Time: 53:12

Total 2-CD Time: 105:14

Behind the Scenes of Armed Response (1986)

When Armed Response hit the shelves of video rental stores in 1986, it was a crucial piece of the late-career puzzle for legendary screen icon Lee Van Cleef. Released just three years before his passing, this gritty action-thriller by cult-favorite director Fred Olen Ray served as one of the ultimate showcases for Van Cleef’s enduring, steely presence.

A Return to Form

By 1986, Lee Van Cleef’s health was in a noticeable decline. Yet, as the production for Armed Response kicked off, his commitment to his craft—and specifically his ability to effortlessly convey an immense amount of gravity with minimal dialogue—was stronger than ever.

He was cast as Burt Roth, a sophisticated but deadly patriarch running a high-stakes crime syndicate. This role allowed him to tap into the calculating, intelligent breed of menace he had perfected over decades in cinema, pivoting away from the pure "gunslinger" archetype to something more complex.

• Veterans Supporting Veterans: Van Cleef was joined by other film giants, including David Carradine (as his son) and Mako. 

Behind the Lens: Fred Olen Ray’s Production Logic

Director Fred Olen Ray, known for his ability to maximize a budget and deliver visceral action, saw Van Cleef not just as a name on the poster, but as a central element of the film’s visual strategy.

• The Low-Angle Intensity: Ray utilized extreme low angles to framing Van Cleef. This served multiple purposes: it helped compensate for his lack of mobility by emphasizing his commanding presence over other actors, and it immediately triggered the visual legacy that made Van Cleef a star (reminding audiences of those unforgettable face-offs in For a Few Dollars More).

• The Power of the Profile: The cinematographers focused on Van Cleef’s profile and silhouette. The signature hat remained, but the context shifted to shadows and high-contrast night shots in industrial LA. The lighting design was often prioritized to make those piercing, "Angel Eyes" the focal point of entire sequences.

• Grit and Dynamite: Armed Response emphasized practical, dangerous-looking pyrotechnics. Behind-the-scenes accounts from stunt performers involved noted that the explosions involving cars and trucking rigs in this film were often significantly larger—and closer to the actors—than typical Hollywood safety standards would allow. This sense of danger translated into the raw energy of the final cut.

The Final Bow

Armed Response remains a fascinating look at the sunset years of a cinematic legend. While his body may have been frailer, Lee Van Cleef’s presence was undiminished. He didn't just play a role; he haunted it. For those studying 80s action cinema, the film is a masterclass in how to build tension around the pure image of an icon.

Behind the Scenes of Jungle Raiders (1985)

When you think of Lee Van Cleef, your mind probably goes straight to the high-noon sun of the Wild West. You see the squint, the pipe, and that sharp-as-a-razor profile that defined the Spaghetti Western genre.

But in 1985, toward the sunset of his incredible career, the "Angel Eyes" of cinema traded his spurs for a pith helmet and headed into the humid jungles of Southeast Asia for Jungle Raiders (originally titled La leggenda del rubino del destino). Today, we’re peeling back the vines to look at the behind-the-scenes world of this cult adventure flick and how its legendary star handled the heat.

The Pivot to Adventure

By the mid-80s, "Indiana Jones" fever was sweeping the globe. Italian producers, ever the masters of capitalizing on trends, shifted their focus from desert shootouts to jungle expeditions.

Jungle Raiders was directed by Antonio Margheriti (often credited as Anthony M. Dawson), a man known for making a dime look like a dollar on screen. Margheriti and Van Cleef were old friends and collaborators, which is exactly why the veteran actor agreed to fly out to the Philippines for a grueling shoot.

Due to heat, the cast frequently had to dry off between takes. Van Cleef, often seen in a suit or heavy safari gear, rarely complained, though he was often spotted retreating to the shade with a cold drink the second the camera stopped rolling.

Like many Italian productions of the time, the crew was a mix of Italians, locals, and Americans. Much of the film was shot silent or "mos" and dubbed later, which allowed the actors to focus on the physicality of the scenes.

To save money, many of the "ancient traps" were built on a tiny scale. Van Cleef would often be filmed looking into the distance at a model that was actually only two feet away from his face.

Lee Van Cleef: The Professional in the Philippines

On set, the atmosphere was a far cry from the air-conditioned trailers of Hollywood. Here’s how Van Cleef left his mark:

• The Veteran Presence: At 60 years old, Lee Van Cleef was the elder statesman on set. While younger cast members struggled with the humidity, crew members noted that Van Cleef remained a consummate professional, treating the low-budget production with the same gravity as a Leone masterpiece.
  
  
• A Different Kind of Hero: In Jungle Raiders, Van Cleef plays Inspector Warren. While he wasn't doing the heavy-duty stunts anymore, his screen presence was so commanding that he didn't need to. He brought a sense of "Old World" gravitas to a film that was essentially a campy romp.
  
  
• Working with Margheriti: The shorthand between Lee and Antonio was legendary. Behind the scenes, Van Cleef often expressed admiration for how the director could create massive explosions and crumbling temples using little more than plywood and clever camera angles.

While Jungle Raiders didn't win any Oscars, it remains a fascinating snapshot of a Hollywood icon’s late-stage career. 

Behind the Scenes of Codename: Wildgeese (1984)

Let's take a deep dive into the grit and grease of 1984’s Euro-war classic, Codename: Wildgeese (Geheimcode: Wildgänse).

While the film is a masterclass in Italian-German explosion-heavy cinema, there is one reason it remains a staple on the shelves of cult collectors: the "Angel Eyes" himself, Lee Van Cleef.

The Legend Enters the Jungle

By the mid-80s, Lee Van Cleef was more than just an actor; he was a silhouette of cinematic history. Known globally for his razor-sharp features in Sergio Leone’s "Dollar" trilogy, Van Cleef brought an immediate "tough-guy" pedigree to the set.

In Wildgeese, he plays China, the veteran helicopter pilot and tactical expert. While the film features a powerhouse ensemble including Lewis Collins, Ernest Borgnine, and Klaus Kinski, it’s Van Cleef’s presence that grounds the flick.

3 Behind-the-Scenes Facts About Lee Van Cleef’s Performance

• The Professional’s Professional: Despite being in his late 50s and dealing with the physical toll of a long career (and a well-documented knee injury), Van Cleef was known on set for his "one-take" capability. He didn't need a dozen rehearsals; he’d step out of his trailer, deliver that iconic squint, and nail the scene.

• The Kinski Dynamic: Rumors from the set often highlight the contrast between Lee Van Cleef and the volatile Klaus Kinski. While Kinski was known for his legendary outbursts, Van Cleef was the polar opposite—quiet, reserved, and incredibly disciplined. He was the "calm in the eye of the storm" during a chaotic production in the Philippines.

• The Signature Pipe: Fans will notice Lee’s character often sports his trademark pipe. This wasn't just a prop choice; it was a nod to his Western roots. It provided a sense of continuity for fans who had followed him from the desert plains to the Southeast Asian jungles.

Why "China" Works

Unlike the younger, more "gung-ho" mercenaries in the film, Van Cleef’s character operates with a weary authority. He doesn't need to shout to be the most dangerous man in the room.

"Lee didn't act like a star. He acted like a soldier who had seen too many wars, which is exactly what the role required." — Common sentiment among the 1980s Euro-cult crew.

The Legacy of the Squint

Codename: Wildgeese isn't trying to be Apocalypse Now. It’s a high-octane, practical-effects-driven mercenary romp. However, Lee Van Cleef elevates the material. Every time he’s on screen, the movie feels a little heavier, a little cooler, and a lot more authentic.

Even in the twilight of his career, Lee proved that you don't need a hundred lines of dialogue to command an audience—you just need the right look and the right attitude.

Behind the Scenes of The Master (1984)

If you grew up in the mid-80s, you likely remember the "Ninja Craze" that swept across pop culture. At the heart of that whirlwind was a show that shouldn’t have worked, yet became an absolute cult legend: The Master (1984).

While the show followed the classic A-Team "drifter-helps-locals" formula, its true soul was the unexpected casting of Spaghetti Western icon Lee Van Cleef as John Peter McAllister—the first Occidental to become a Ninja Master.

Let's step behind the curtain of the "Butterfly House" to see how this bizarre, beloved series came to life.

The Casting "Pivot" from Coburn to Van Cleef

It’s hard to imagine anyone else in that black gi, but Lee Van Cleef wasn’t the first choice. The role was originally developed for James Coburn. When that fell through, the producers turned to Van Cleef.

The shift changed the entire vibe of the show. While Coburn might have brought a lean, athletic energy, Van Cleef brought gravitas. He looked like a man who had survived a hundred lifetimes, giving the show a "weary warrior" depth that contrasted perfectly with Timothy Van Patten’s energetic, bumbling apprentice, Max Keller.

Sho Kosugi: The Real "Master" Behind the Scenes

The secret weapon of the production was undoubtedly Sho Kosugi. Already a martial arts superstar, Kosugi played the antagonist Okasa, but his work behind the camera was even more vital

• Sensei to a Legend: Kosugi actually visited Lee Van Cleef’s home before filming began to give him a crash course in "Ninja 101." He taught the nearly 60-year-old actor how to properly draw a katana and throw shuriken so he looked authentic in close-ups.

• The Invisible Double: Let’s be honest—whenever "The Master" put on his mask and started doing backflips, that wasn’t Lee Van Cleef. Because of Van Cleef’s age and a lingering knee injury, Kosugi (along with other stunt performers) did the heavy lifting. In some episodes, Kosugi was essentially fighting himself—playing the villain in one shot and doubling for the hero in the next!

Fighting the "Death Slot"

The production of The Master was a race against time and ratings. NBC infamously scheduled the show on Friday nights directly against Dallas, the #1 show in America at the time.

The "behind the scenes" atmosphere was often high-pressure as the crew tried to deliver cinematic-level martial arts choreography on a grueling TV schedule. This led to the show’s signature "jump-cut" editing style—a clever way to hide the transition between Van Cleef and his stunt doubles during fight scenes.

The Van Cleef Legacy

Even though the series only lasted 13 episodes, Lee Van Cleef’s portrayal of John Peter McAllister left a permanent mark. He didn't play a superhero; he played a mentor.

Despite the obvious stunt doubling and the 80s cheese, Van Cleef took the role seriously. He brought a sense of honor and "Old World" discipline to the screen, making a generation of kids believe that maybe, just maybe, an old cowboy could become a deadly ninja.