Welcome to theBad.net Lee Van Cleef Blog! Here you will find information, photos, videos, and some of my opinions of the badman himself.

Many thanks to the wonderful fans of theBad.net for their contributions and continued enthusiasm!

Saturday, March 28, 2026

Behind the Scenes of The Squeeze (1978)


While Lee Van Cleef is best remembered for his iconic spaghetti westerns, the late 1970s brought him into a very different kind of crime thriller with The Squeeze — also released under titles like The Rip-Off, Diamond Thieves, and Gretchko. In this hard-edged heist film, Van Cleef plays a retired safecracker who gets pulled back into one last dangerous job.

Directed by Antonio Margheriti (credited as Anthony M. Dawson), the film blends Eurocrime style with gritty New York and Hamburg locations, giving it a unique feel among Van Cleef’s post-western work.


Filming on Location

Unlike the deserts of Spain or western backdrops Van Cleef is known for, The Squeeze was filmed on location in New York City, New Jersey, and Hamburg, Germany. The winter streets, damp snow, and gritty urban settings give the film a neo-noir, realistic texture, making the city almost feel like another character.


Lee Van Cleef as Chris “Gretchko”

Van Cleef plays Chris Gretchko (sometimes Ray Sloan), a legendary safecracker who has retired from crime — until Edward Albert’s character, Jeff Olafson, pulls him back in for a diamond heist. The twist? The gang plans to dispose of him after the job, forcing Chris to outsmart both criminals and the law.

This role lets Van Cleef trade his gunslinger swagger for a calm, calculating toughness, showcasing a different side of his iconic on-screen persona.


Supporting Cast

The Squeeze features a strong ensemble:

  • Edward Albert as Jeff Olafson, the young man dragging Chris out of retirement.

  • Karen Black as Clarisse, an eccentric neighbor caught up in the heist chaos.

  • Lionel Stander as Sam, Chris’s old friend and fence.

  • Robert Alda as Captain Donati, the determined lawman.

  • Peter Carsten as Van Stratten, the ruthless mob figure.

The mix of American and European actors gives the film a unique cross-cultural vibe, blending Eurocrime sensibilities with familiar Hollywood-style performances.


Director Antonio Margheriti

Margheriti had previously worked with Van Cleef on several films, including The Stranger and the Gunfighter and Take a Hard Ride. His experience helped him craft a movie that balanced action, suspense, and character moments. Shooting on location, sometimes in freezing winter conditions, added authenticity and a gritty edge to the film’s urban environment.


Themes: The Last Job

At its core, The Squeeze explores the classic “last job” trope, along with loyalty, betrayal, and mentorship. Van Cleef’s Chris is a man pulled back into danger by old ties, forced to rely on experience, wits, and precision to survive. This gives the film both tension and emotional stakes.


Release & Cult Appeal

Though filmed in 1977–78, the movie didn’t see significant U.S. release until around 1981, often as The Rip-Off. Over the years, it has gained a cult following among Van Cleef fans and Eurocrime enthusiasts, praised for its gritty New York locations, solid ensemble cast, and Van Cleef’s commanding performance.


Final Thoughts

The Squeeze may not be as famous as Van Cleef’s westerns, but it’s a must-watch for fans curious about his later career and his range beyond gunslingers. With a clever heist plot, memorable supporting cast, and atmospheric locations, it remains a standout example of late-70s crime cinema and Van Cleef’s versatility as an actor.



Saturday, March 21, 2026

Behind the Scenes of Nowhere to Hide (1977)


Long before Lee Van Cleef became a household name for his spaghetti westerns, he explored American television — including the 1977 TV movie Nowhere to Hide. This film was actually a pilot for a proposed series called Scanlon, designed to bring Van Cleef’s signature tough-guy persona to weekly crime drama. While the series never materialized, the pilot aired on NBC on June 5, 1977, giving fans a rare glimpse of Van Cleef on the small screen.


The Concept: A Pilot That Almost Was

Nowhere to Hide was meant to launch a crime drama series featuring Van Cleef as U.S. Marshal Ike Scanlon, a hardened lawman tasked with protecting a dangerous mob informant. The idea was simple but engaging: mix tense crime storylines with Van Cleef’s cold, authoritative presence.

Networks at the time often aired pilots as “Movies of the Week” to gauge audience interest. While the pilot delivered Van Cleef at his icy best, NBC ultimately passed on the series, leaving Scanlon as a one-off television curiosity.


Cast & Characters

The pilot featured a mix of seasoned TV actors and guest stars:

  • Lee Van Cleef — Ike Scanlon
    Van Cleef steps out of the western and into a modern lawman role. Cold, calculated, and commanding, he brought his signature gravitas to the part of a marshal navigating organized crime.

  • Patrick McGoohan — Joey Faber
    McGoohan plays the mob informant whose life Scanlon must protect. Known for The Prisoner, McGoohan adds subtle tension and moral ambiguity to the story.

  • Edna O’Brien — Kathleen Faber
    As Faber’s estranged wife, she adds emotional stakes and depth to the otherwise procedural plot.

  • Charles Robinson & Russell Johnson
    Supporting roles help round out Scanlon’s world and bring credibility to the pilot’s mix of action and character drama.

The ensemble helped give the story texture, balancing Van Cleef’s commanding lead with emotional and professional stakes.


Behind the Scenes

Directed by Jack Starrett, the pilot blended action, suspense, and character-driven storytelling. With television budgets in mind, production relied heavily on location shoots, practical stunts, and tight shooting schedules.

Van Cleef reportedly took the project to explore TV work and diversify his career, stepping away from typecast villain or gunslinger roles. The pilot allowed him to showcase a more modern, procedural-style toughness suitable for the small screen.


Release and Legacy

Although the series never happened, Nowhere to Hide aired as a one-off TV movie and remains a notable footnote in Van Cleef’s career. Fans of the actor appreciate it as one of the few times he led a prime-time American TV drama, and as a glimpse of what could have been in the 1970s crime genre.

Today, the pilot holds cult appeal among collectors and Van Cleef enthusiasts, representing an unusual bridge between his European film work and potential American television stardom.


Final Thoughts

Nowhere to Hide is a fascinating piece of television history. It’s a chance to see Lee Van Cleef in a different light — not as a western antihero, but as a calculated, commanding lawman on American TV. While the pilot didn’t spin off into a series, it remains a unique chapter in the career of one of cinema’s coolest tough guys.



Saturday, March 14, 2026

Behind the Scenes of The Hard Way (1980)


By the late 1970s, Lee Van Cleef had firmly established himself as a legend of the spaghetti western. But one of his more unusual late-career roles came in The Hard Way (1980), a British-Irish crime thriller that pushed him into neo-noir territory. Co-starring Patrick McGoohan and Edna O’Brien, this film is a fascinating example of Van Cleef’s versatility outside the Old West.


Filming in Ireland – Not Spain or Hollywood

Unlike most of Van Cleef’s earlier work, The Hard Way was filmed entirely in Ireland, using real locations across Dublin and the countryside, including the Luggala estate and Glendalough. These locations gave the film a gritty, atmospheric feel — urban streets, misty rural landscapes, and historic estates replaced the familiar deserts of Spain or Hollywood western sets.

The production was a UK-Irish co-production, with modest budgets but plenty of ambition, creating a unique setting for a crime thriller that feels both authentic and slightly offbeat.


Cast & Characters

Patrick McGoohan stars as John Connor, a professional hitman ready to retire after one last dangerous assignment. McGoohan brings a weary, measured intensity to the role, giving the story emotional weight and moral tension.

Lee Van Cleef plays McNeal, the handler who pushes Connor to take on his final job. Far from his swaggering gunslinger persona, Van Cleef here is icy, professional, and morally ambiguous — a master of understated menace.

Edna O’Brien co-stars as Kathleen, Connor’s estranged wife, whose presence adds emotional stakes and depth to the story. Supporting roles from Irish actors like Donal McCann and Ronan Wilmot add texture, grounding the film in its local setting.


Behind the Scenes: Style & Tone

Directed by Michael Dryhurst, primarily known for television work, the film emphasizes mood and character over nonstop action. Dryhurst’s approach — deliberate pacing, tension-filled shots, and location-heavy shooting — gives The Hard Way a neo-noir atmosphere unusual for Van Cleef’s late career.

Cinematography focuses on Ireland’s urban and rural landscapes, capturing misty streets, slick alleys, and rugged estates, lending a cold, realistic backdrop to the story.

The score is subtle and tension-driven, blending dramatic cues with natural soundscapes rather than bombastic action music, reinforcing the film’s slow-burn suspense.


Release & Legacy

Originally broadcast on ITV in the UK, The Hard Way later reached international audiences via home video and limited theatrical releases. While it didn’t make a huge impact at the time, it has since gained a cult following among Van Cleef fans, appreciated for his rare late-career dramatic work outside westerns.


Why The Hard Way Matters

  • One of Van Cleef’s few crime thrillers outside the western genre

  • Showcases his talent for subtle, menacing performances

  • Offers a unique Irish neo-noir backdrop rare for the era

  • Features strong co-stars like Patrick McGoohan and Edna O’Brien

For fans of Lee Van Cleef or vintage crime thrillers, The Hard Way is a hidden gem, a late-career highlight that shows a different side of the actor and the versatility of European genre cinema at the dawn of the 1980s.