Jungle Raiders coming to Blu-ray and 4K UHD

 

A release no one saw coming... (or even asked for!)

THE WORLDWIDE UHD/BLU-RAY PREMIERES 

For the final film in his Indiana Jonesploitation Trilogy, director Antonio Margheriti unleashed a “fun and fast-paced” (Good Efficient Butchery) jungle adventure that became a VHS-era favorite, now in UHD for the first time ever. Christopher Connelly (RAIDERS OF ATLANTIS) stars as a cynical safari guide who leads gullible millionaires on bogus treasure hunts in Malaysia. But when a crafty U.S. government operative (the legendary Lee Van Cleef) blackmails him into finding the mythic Ruby of Gloom, they’ll battle death cults, double-crosses, unstable volcanoes and exploding refineries to snatch the jewel from maniacal pirates. Marina Costa (THE FINAL EXECUTIONER) and Luciano Pigozzi (DOUBLE TARGET) co-star in this “utterly charming” (B&S About Movies) action hit written by Giovanni Simonelli (THE ARK OF THE SUN GOD, A CAT IN THE BRAIN) and originally released in America by Cannon Films, newly scanned in 4K from the original camera negative. 

Special Features for JUNGLE RAIDERS: '

Disc 1: UHD Trailer 

Disc 2: Blu-ray 

• The Ruby Trail – Interview With Assistant Director Edoardo Margheriti 
• Italian Credit Sequence 
• Trailer 

Feature Specs for JUNGLE RAIDERS: 

• Aspect Ratio: 2.35:1 
• Runtime: 101 mins 
• Audio: English Mono, Italian Mono 
• Subtitles: English SDH, English 
• Region: UHD: A/B/C, Blu-ray: A

Amazon Links-

UHD

Blu-Ray

Behind the Scenes of The Squeeze (1978)

While Lee Van Cleef is best remembered for his iconic spaghetti westerns, the late 1970s brought him into a very different kind of crime thriller with The Squeeze — also released under titles like The Rip-Off, Diamond Thieves, and Gretchko. In this hard-edged heist film, Van Cleef plays a retired safecracker who gets pulled back into one last dangerous job.

Directed by Antonio Margheriti (credited as Anthony M. Dawson), the film blends Eurocrime style with gritty New York and Hamburg locations, giving it a unique feel among Van Cleef’s post-western work.

Filming on Location

Unlike the deserts of Spain or western backdrops Van Cleef is known for, The Squeeze was filmed on location in New York City, New Jersey, and Hamburg, Germany. The winter streets, damp snow, and gritty urban settings give the film a neo-noir, realistic texture, making the city almost feel like another character.

Lee Van Cleef as Chris “Gretchko”

Van Cleef plays Chris Gretchko (sometimes Ray Sloan), a legendary safecracker who has retired from crime — until Edward Albert’s character, Jeff Olafson, pulls him back in for a diamond heist. The twist? The gang plans to dispose of him after the job, forcing Chris to outsmart both criminals and the law.

This role lets Van Cleef trade his gunslinger swagger for a calm, calculating toughness, showcasing a different side of his iconic on-screen persona.

Supporting Cast

The Squeeze features a strong ensemble:

• Edward Albert as Jeff Olafson, the young man dragging Chris out of retirement.

• Karen Black as Clarisse, an eccentric neighbor caught up in the heist chaos.

• Lionel Stander as Sam, Chris’s old friend and fence.

• Robert Alda as Captain Donati, the determined lawman.

• Peter Carsten as Van Stratten, the ruthless mob figure.

The mix of American and European actors gives the film a unique cross-cultural vibe, blending Eurocrime sensibilities with familiar Hollywood-style performances.

Director Antonio Margheriti

Margheriti had previously worked with Van Cleef on several films, including The Stranger and the Gunfighter and Take a Hard Ride. His experience helped him craft a movie that balanced action, suspense, and character moments. Shooting on location, sometimes in freezing winter conditions, added authenticity and a gritty edge to the film’s urban environment.

Themes: The Last Job

At its core, The Squeeze explores the classic “last job” trope, along with loyalty, betrayal, and mentorship. Van Cleef’s Chris is a man pulled back into danger by old ties, forced to rely on experience, wits, and precision to survive. This gives the film both tension and emotional stakes.

Release & Cult Appeal

Though filmed in 1977–78, the movie didn’t see significant U.S. release until around 1981, often as The Rip-Off. Over the years, it has gained a cult following among Van Cleef fans and Eurocrime enthusiasts, praised for its gritty New York locations, solid ensemble cast, and Van Cleef’s commanding performance.

Final Thoughts

The Squeeze may not be as famous as Van Cleef’s westerns, but it’s a must-watch for fans curious about his later career and his range beyond gunslingers. With a clever heist plot, memorable supporting cast, and atmospheric locations, it remains a standout example of late-70s crime cinema and Van Cleef’s versatility as an actor.

Behind the Scenes of Nowhere to Hide (1977)

Long before Lee Van Cleef became a household name for his spaghetti westerns, he explored American television — including the 1977 TV movie Nowhere to Hide. This film was actually a pilot for a proposed series called Scanlon, designed to bring Van Cleef’s signature tough-guy persona to weekly crime drama. While the series never materialized, the pilot aired on NBC on June 5, 1977, giving fans a rare glimpse of Van Cleef on the small screen.

The Concept: A Pilot That Almost Was

Nowhere to Hide was meant to launch a crime drama series featuring Van Cleef as U.S. Marshal Ike Scanlon, a hardened lawman tasked with protecting a dangerous mob informant. The idea was simple but engaging: mix tense crime storylines with Van Cleef’s cold, authoritative presence.

Networks at the time often aired pilots as “Movies of the Week” to gauge audience interest. While the pilot delivered Van Cleef at his icy best, NBC ultimately passed on the series, leaving Scanlon as a one-off television curiosity.

Cast & Characters

The pilot featured a mix of seasoned TV actors and guest stars:

• Lee Van Cleef — Ike Scanlon
  Van Cleef steps out of the western and into a modern lawman role. Cold, calculated, and commanding, he brought his signature gravitas to the part of a marshal navigating organized crime.

• Tony Musante — Joey Faber
  Musante plays the mob informant whose life Scanlon must protect. 

• Charles Robinson & Russell Johnson
  Supporting roles help round out Scanlon’s world and bring credibility to the pilot’s mix of action and character drama.

The ensemble helped give the story texture, balancing Van Cleef’s commanding lead with emotional and professional stakes.

Behind the Scenes

Directed by Jack Starrett, the pilot blended action, suspense, and character-driven storytelling. With television budgets in mind, production relied heavily on location shoots, practical stunts, and tight shooting schedules.

Van Cleef reportedly took the project to explore TV work and diversify his career, stepping away from typecast villain or gunslinger roles. The pilot allowed him to showcase a more modern, procedural-style toughness suitable for the small screen.

Release and Legacy

Although the series never happened, Nowhere to Hide aired as a one-off TV movie and remains a notable footnote in Van Cleef’s career. Fans of the actor appreciate it as one of the few times he led a prime-time American TV drama, and as a glimpse of what could have been in the 1970s crime genre.

Today, the pilot holds cult appeal among collectors and Van Cleef enthusiasts, representing an unusual bridge between his European film work and potential American television stardom.

Final Thoughts

Nowhere to Hide is a fascinating piece of television history. It’s a chance to see Lee Van Cleef in a different light — not as a western antihero, but as a calculated, commanding lawman on American TV. While the pilot didn’t spin off into a series, it remains a unique chapter in the career of one of cinema’s coolest tough guys.