The Master - Coming to Blu-ray (Germany)

 

Now out of print in the US, The Master has been released on DVD and Blu-ray in Germany.  Looks to be the same transfers with no extras.

Order Here

Armed Response - Coming to DVD UNCUT (Germany)

Coming to DVD in Germany on August 8.  It is being advertised as the "uncut version", however these cuts only ever applied to the European market.  It is likely the same as the US theatrical release.  What is unknown is if this is a new transfer.  Some sellers are saying it will be 16x9, while others are saying it will be open matte.  As this is only a DVD release, and not blu-ray, I suspect we may be getting the US laserdisc transfer at best.  If anyone gets this, let me know!

reversable cover

Armed Response - Poster Art Concept

Below is an image of the preliminary artwork for Armed Response under it's working title, The Jade Jungle.

Captain Apache and God's Gun coming to DVD in August (Sweden)

  

 
Captain Apache and God's Gun are coming to DVD in August in Sweden.  Both have been available on blu-ray for years.  Anybody still buy DVDs?

Commandos Soundtrack

 

Somehow I missed this, but Commandos did have a minor soundtrack release consisting of 3 tracks on the compilation album The Film Music of Nascimbene.

Limited to only 500 units, it is currently sold out, but can likely be found on the secondary market.

https://quartetrecords.com/product/the-film-music-of-mario-nascimbene/

COMMANDOS (1968), directed by Armando Crispino and starring Lee Van Cleef and Jack Kelly, is a violent war-adventure movie set during WW2, when an Italian-American commando outfit, disguised as an Italian Army unit, parachutes behind Axis lines in North Africa. Nascimbene’s powerful music relies heavily on the traditional Dies Irae chant to underscore this suicide mission.

 

Tracklist-

1. Introduzione magica (1:46)

2. Attesa drammatica (2:23)

3. Finale tragico (5:35)

New Grand Duel Blu-ray from 4k Restoration (France)

 

Coming out on August 20, 2026 from Carlotta Films is a new release of Grand Duel on blu-ray.  This disc is source from a new 4k master, which leads to the real question... where is the 4k UHD disc?

https://laboutique.carlottafilms.com/collections/clients-en-belgique/products/le-grand-duel-de-giancarlo-santi?srsltid=AfmBOopBQsUZ-ToUEwEnNK8ed-l9DMTVmql1HZ5ATPeYzYcPTJZHExkm

The Rip-Off aka The Squeeze Advertisement

 One of many films that had multiple titles-

Captain Apache - Australian Movie Press Sheet

 Click to enlarge-

Behind the Scenes of Thieves of Fortune (1989)

For followers of cult cinema, Thieves of Fortune (also known as Chameleon or Mexican Jackpot) holds a bittersweet place in film history. Released in 1990, it stands as the final film role for the legendary Lee Van Cleef, appearing on screens shortly after his passing in late 1989.

While the film is a globe-trotting adventure centered on a $28 million inheritance race, the real treasure for fans is seeing Van Cleef command the screen one last time. Here’s a look at the behind-the-scenes world of his final production.

The Patriarch of the Fortune

In Thieves of Fortune, Van Cleef plays Don Sergio Danielo Christophoro, the wealthy eccentric whose death (and complex will) triggers the film's frantic treasure hunt.

• A Poignant Performance: In a case of life imitating art, Van Cleef’s character is an aging patriarch looking back on his legacy. Despite his health challenges during filming, he brought a refined, regal dignity to Don Sergio. It was a departure from his usual "heavy" or "mercenary" roles, allowing him to play a man of immense stature and wealth.

• The Final Reel: This was the last time Van Cleef stood before a camera. For a man who built a career on being the ultimate survivor—from the dusty streets of Sergio Leone’s West to the dystopian ruins of Manhattan—seeing him play a character at peace, reconciling with old friends (like Michael Nouri’s character), provided a fitting cinematic goodbye.

Production Trivia: A Global Scavenger Hunt

Directed by Michael MacCarthy, the production was an ambitious South African-American collaboration. The "scavenger hunt" plot allowed the crew to utilize diverse and rugged locations to give the low-budget film a grander, international feel.

• South African Backdrops: Much of the "Mexican" and desert scenery was actually filmed in South Africa. The production leveraged the country's varied terrain to stand in for multiple global locations, a common tactic for action films of that era seeking high production value on a modest budget.

• Stunts and Spectacle: The film leaned heavily into the "adventure" craze of the late 80s, featuring everything from plane stunts and motorcycle chases to alligator wrestling. While Shawn Weatherly (a former Miss Universe) handled the physical heavy lifting, Van Cleef served as the narrative's gravity—the "eye of the storm" around which the chaos revolved.

• A "Boutique" Ensemble: The cast was a classic 80s mix, featuring Michael Nouri (Flashdance) and Shawn Weatherly. Behind the scenes, the cast and crew were well aware of the honor of working with a Hollywood legend. Nouri often spoke of the quiet authority Van Cleef brought to the set, noting that when Lee spoke, everyone—from the director to the grips—listened.

The Aesthetic: 1980s Adventure Grain

Thieves of Fortune carries that unmistakable late-80s film stock look—saturated colors, heavy grain in the outdoor sequences, and a synth-driven atmosphere.

The cinematographers made sure to treat Van Cleef’s final appearance with reverence. Even in his 60s, those "Angel Eyes" were as sharp as ever. The camera often lingered on his face during his monologues about the fortune, capturing the weathered texture of a man who had seen it all.

Legacy of a Legend

Thieves of Fortune might not have the mainstream recognition of The Good, the Bad and the Ugly, but for those who appreciate the full arc of Lee Van Cleef's career, it is an essential watch. It marks the end of an era—the final performance of a man who bridged the gap between the Golden Age of Hollywood and the explosion of international cult cinema.

Behind the Scenes of The Commander (1988)

By the late 1980s, the "Man with the piercing eyes" had transitioned from the dusty trails of Almería to the humid jungles of Southeast Asia, becoming a staple of the Italian-produced "Macaroni Combat" genre. In 1988, he teamed up once again with the master of low-budget spectacle, Antonio Margheriti, for the high-octane mercenary flick, The Commander (originally Der Commando). Today, we’re going behind the lens to see how this screen legend handled one of his final action roles. 

By 1988, the "Mercenary on a Mission" subgenre was in full swing. The Commander followed a group of soldiers of fortune sent into the Golden Triangle to destroy a heroin factory. While the film featured younger leads like Lewis Collins, it was the presence of Lee Van Cleef as Colonel Mazzarini that gave the movie its weight and "cool factor." 

Even at 63, and despite the health issues that would claim his life only a year later, Van Cleef was the heartbeat of the production. Unlike his more physical roles in the 60s, Van Cleef’s Mazzarini was the strategist. Much of his filming took place in "command center" sets. Crew members recalled that Lee didn't need to run through the jungle to be intimidating; he could dominate a room just by leaning over a map and squinting through his signature smoke. 

This was Van Cleef’s final collaboration with director Antonio Margheriti. Their shorthand allowed the production to move at lightning speed—essential for an Italian B-movie with a tight budget.

Despite the sweltering heat of the Philippines locations, Van Cleef remained a "one-take wonder." He was known for having his lines memorized and his blocking perfect, a trait that endeared him to the hardworking Italian crew.

The Commander would be one of Lee Van Cleef's final film appearances before his passing in 1989. While the movie is a wild, explosion-filled ride, there is a certain poignancy in watching Lee on screen. He brought a sense of dignity to a genre that was often chaotic. For fans of Van Cleef, The Commander isn't just an action movie—it’s a final masterclass in screen presence. He proved that you don't need a horse or a poncho to be the toughest man in the room; you just need that look.

New Soundtrack - Day of Anger 2 Disc Edition from Quartet

Just released from Quartet Records!

Quartet Records, in collaboration with GDM and Universal Music Publishing Italy, celebrates the centenary of Maestro Riz Ortolani with the ultimate edition of his classic, killer score for DAY OF ANGER (I giorni dell’ira, 1967), an iconic spaghetti western directed by Tonino Valerii and starring Lee Van Cleef and Giuliano Gemma. The film, one of the most beloved by fans of the genre, is about a scruffy street sweeper who becomes the pupil of a famed gunfighter, and the stage for confrontation is set when the gunman overruns the boy’s town through violence and corruption.

Riz Ortolani’ score finds him at the height of his creative powers, blending sweeping orchestral themes, tense action motifs and moments of surprising lyrical beauty into a uniquely sophisticated musical experience.

While Ennio Morricone’s influence often dominates discussions of music for Italian westerns, Ortolani’s approach to DAY OF ANGER reveals a distinct voice—elegant, dramatic and melodic. The unforgettable main theme (rediscovered by Tarantino and included in his film Django Unchained) captures the film’s atmosphere of revenge, ambition and moral conflict, while recurring motifs demonstrate the composer’s remarkable ability to balance raw tension with emotional depth.

Albums were released by RCA in 1967 in mono (the Italian LP) and stereo (the U.S. edition). Both featured the same track listing, though with different mixes, takes and edits on some tracks. That LP program was subsequently released on CD, but always in the Italian mono version until the two most recent reissues, which also included the film score in stereo. For this new 2-CD edition, we have included the complete score in stereo, in addition to the mono and stereo albums, from their respective original elements. The audio for this release (supervised by Claudio Fuiano) has been restored and mastered by Chris Malone; the package includes an essay by Jeff Bond.

This soundtrack remains an essential chapter in the history of the Italian western and a shining example of Riz Ortolani’s extraordinary legacy as one of Europe’s greatest film composers.

ORDER HERE
https://quartetrecords.com/product/day-of-anger-2-cd/

 

Tracklist-

DISC 1. 

THE ORIGINAL ALBUM (STEREO)

1. I Giorni Dell’Ira 3:07

2. Senza Pietà 2:21

3. Una notte serena 2:49

4. L’arma del killer 1:29

5. Fino all’ultimo colpo 2:56

6. I Giorni Dell’Ira (#2) 1:21

7. Fino all’ultimo colpo (#2) 3:00

8. Violenza, odio 1:34

9. Una notte serena (#2) 3:34

10. Un uomo forte 2:28

11. Fino all’ultimo colpo (#3) 1:26

THE ORIGINAL ALBUM (MONO)

12. I Giorni Dell’Ira 3:07

13. Senza pietà 2:21

14. Una notte serena 2:49

15. L’arma del killer 1:29

16. Fino all’ultimo colpo 2:56

17. I Giorni Dell’Ira (#2) 1:21

18. Fino all’ultimo colpo (#2) 3:00

19. Violenza, odio 1:34

20. Una notte serena (#2) 3:34

21. Un uomo forte 2:28

22. Fino all’ultimo colpo (#3) 1:26

Total Disc Time: 52:02

DISC 2. THE FILM SCORE (STEREO)

1. I Giorni Dell’Ira (#3) (Original Main Titles) 3:08

2. Una notte serena (#3) 2:50

3. L’arma del Killer (#2) 1:30

4. I Giorni Dell’Ira (#4 Saloon) 1:46

5. I Giorni Dell’Ira (#5) 1:49

6. Violenza, odio (#2) 1:28

7. Fino all’ultimo colpo (#4) 2:56

8. I Giorni Dell’Ira (#6) 1:22

9. I Giorni Dell’Ira (#7) 1:21

10. I Giorni Dell’Ira (#8 Saloon) 1:20

11. Violenza, odio (#3) 1:14

12. Una notte serena (#4) 2:05

13. Senza pietà (#2) 1:19

14. Un uomo forte (#2) 2:30

15. Violenza, odio (#4) 0:51

16. Fino all’ultimo colpo (#5) 3:01

17. I Giorni Dell’Ira (#9) 1:56

18. Una notte serena (#5 Harmonica) 1:28

19. I Giorni Dell’Ira (#10) 1:25

20. Violenza, odio (#5) 1:40

21. Fino all’ultimo colpo (#6) 1:25

22. Una Notte Serena (#6) 2:52

23. L’arma del killer (#3) 1:49

24. Una notte serena (#7 Harmonica) 1:16

25. I Giorni Dell’Ira (#11) 1:51

26. I Giorni Dell’Ira (#12) 1:56

27. Una notte serena (#8) 1:50

28. I Giorni Dell’Ira (#13) 1:04

29. I Giorni Dell’Ira (#14 Demo Song) 2:11

Total Disc Time: 53:12

Total 2-CD Time: 105:14

Behind the Scenes of Armed Response (1986)

When Armed Response hit the shelves of video rental stores in 1986, it was a crucial piece of the late-career puzzle for legendary screen icon Lee Van Cleef. Released just three years before his passing, this gritty action-thriller by cult-favorite director Fred Olen Ray served as one of the ultimate showcases for Van Cleef’s enduring, steely presence.

A Return to Form

By 1986, Lee Van Cleef’s health was in a noticeable decline. Yet, as the production for Armed Response kicked off, his commitment to his craft—and specifically his ability to effortlessly convey an immense amount of gravity with minimal dialogue—was stronger than ever.

He was cast as Burt Roth, a sophisticated but deadly patriarch running a high-stakes crime syndicate. This role allowed him to tap into the calculating, intelligent breed of menace he had perfected over decades in cinema, pivoting away from the pure "gunslinger" archetype to something more complex.

• Veterans Supporting Veterans: Van Cleef was joined by other film giants, including David Carradine (as his son) and Mako. 

Behind the Lens: Fred Olen Ray’s Production Logic

Director Fred Olen Ray, known for his ability to maximize a budget and deliver visceral action, saw Van Cleef not just as a name on the poster, but as a central element of the film’s visual strategy.

• The Low-Angle Intensity: Ray utilized extreme low angles to framing Van Cleef. This served multiple purposes: it helped compensate for his lack of mobility by emphasizing his commanding presence over other actors, and it immediately triggered the visual legacy that made Van Cleef a star (reminding audiences of those unforgettable face-offs in For a Few Dollars More).

• The Power of the Profile: The cinematographers focused on Van Cleef’s profile and silhouette. The signature hat remained, but the context shifted to shadows and high-contrast night shots in industrial LA. The lighting design was often prioritized to make those piercing, "Angel Eyes" the focal point of entire sequences.

• Grit and Dynamite: Armed Response emphasized practical, dangerous-looking pyrotechnics. Behind-the-scenes accounts from stunt performers involved noted that the explosions involving cars and trucking rigs in this film were often significantly larger—and closer to the actors—than typical Hollywood safety standards would allow. This sense of danger translated into the raw energy of the final cut.

The Final Bow

Armed Response remains a fascinating look at the sunset years of a cinematic legend. While his body may have been frailer, Lee Van Cleef’s presence was undiminished. He didn't just play a role; he haunted it. For those studying 80s action cinema, the film is a masterclass in how to build tension around the pure image of an icon.

Behind the Scenes of Jungle Raiders (1985)

When you think of Lee Van Cleef, your mind probably goes straight to the high-noon sun of the Wild West. You see the squint, the pipe, and that sharp-as-a-razor profile that defined the Spaghetti Western genre.

But in 1985, toward the sunset of his incredible career, the "Angel Eyes" of cinema traded his spurs for a pith helmet and headed into the humid jungles of Southeast Asia for Jungle Raiders (originally titled La leggenda del rubino del destino). Today, we’re peeling back the vines to look at the behind-the-scenes world of this cult adventure flick and how its legendary star handled the heat.

The Pivot to Adventure

By the mid-80s, "Indiana Jones" fever was sweeping the globe. Italian producers, ever the masters of capitalizing on trends, shifted their focus from desert shootouts to jungle expeditions.

Jungle Raiders was directed by Antonio Margheriti (often credited as Anthony M. Dawson), a man known for making a dime look like a dollar on screen. Margheriti and Van Cleef were old friends and collaborators, which is exactly why the veteran actor agreed to fly out to the Philippines for a grueling shoot.

Due to heat, the cast frequently had to dry off between takes. Van Cleef, often seen in a suit or heavy safari gear, rarely complained, though he was often spotted retreating to the shade with a cold drink the second the camera stopped rolling.

Like many Italian productions of the time, the crew was a mix of Italians, locals, and Americans. Much of the film was shot silent or "mos" and dubbed later, which allowed the actors to focus on the physicality of the scenes.

To save money, many of the "ancient traps" were built on a tiny scale. Van Cleef would often be filmed looking into the distance at a model that was actually only two feet away from his face.

Lee Van Cleef: The Professional in the Philippines

On set, the atmosphere was a far cry from the air-conditioned trailers of Hollywood. Here’s how Van Cleef left his mark:

• The Veteran Presence: At 60 years old, Lee Van Cleef was the elder statesman on set. While younger cast members struggled with the humidity, crew members noted that Van Cleef remained a consummate professional, treating the low-budget production with the same gravity as a Leone masterpiece.
  
  
• A Different Kind of Hero: In Jungle Raiders, Van Cleef plays Inspector Warren. While he wasn't doing the heavy-duty stunts anymore, his screen presence was so commanding that he didn't need to. He brought a sense of "Old World" gravitas to a film that was essentially a campy romp.
  
  
• Working with Margheriti: The shorthand between Lee and Antonio was legendary. Behind the scenes, Van Cleef often expressed admiration for how the director could create massive explosions and crumbling temples using little more than plywood and clever camera angles.

While Jungle Raiders didn't win any Oscars, it remains a fascinating snapshot of a Hollywood icon’s late-stage career. 

Behind the Scenes of Codename: Wildgeese (1984)

Let's take a deep dive into the grit and grease of 1984’s Euro-war classic, Codename: Wildgeese (Geheimcode: Wildgänse).

While the film is a masterclass in Italian-German explosion-heavy cinema, there is one reason it remains a staple on the shelves of cult collectors: the "Angel Eyes" himself, Lee Van Cleef.

The Legend Enters the Jungle

By the mid-80s, Lee Van Cleef was more than just an actor; he was a silhouette of cinematic history. Known globally for his razor-sharp features in Sergio Leone’s "Dollar" trilogy, Van Cleef brought an immediate "tough-guy" pedigree to the set.

In Wildgeese, he plays China, the veteran helicopter pilot and tactical expert. While the film features a powerhouse ensemble including Lewis Collins, Ernest Borgnine, and Klaus Kinski, it’s Van Cleef’s presence that grounds the flick.

3 Behind-the-Scenes Facts About Lee Van Cleef’s Performance

• The Professional’s Professional: Despite being in his late 50s and dealing with the physical toll of a long career (and a well-documented knee injury), Van Cleef was known on set for his "one-take" capability. He didn't need a dozen rehearsals; he’d step out of his trailer, deliver that iconic squint, and nail the scene.

• The Kinski Dynamic: Rumors from the set often highlight the contrast between Lee Van Cleef and the volatile Klaus Kinski. While Kinski was known for his legendary outbursts, Van Cleef was the polar opposite—quiet, reserved, and incredibly disciplined. He was the "calm in the eye of the storm" during a chaotic production in the Philippines.

• The Signature Pipe: Fans will notice Lee’s character often sports his trademark pipe. This wasn't just a prop choice; it was a nod to his Western roots. It provided a sense of continuity for fans who had followed him from the desert plains to the Southeast Asian jungles.

Why "China" Works

Unlike the younger, more "gung-ho" mercenaries in the film, Van Cleef’s character operates with a weary authority. He doesn't need to shout to be the most dangerous man in the room.

"Lee didn't act like a star. He acted like a soldier who had seen too many wars, which is exactly what the role required." — Common sentiment among the 1980s Euro-cult crew.

The Legacy of the Squint

Codename: Wildgeese isn't trying to be Apocalypse Now. It’s a high-octane, practical-effects-driven mercenary romp. However, Lee Van Cleef elevates the material. Every time he’s on screen, the movie feels a little heavier, a little cooler, and a lot more authentic.

Even in the twilight of his career, Lee proved that you don't need a hundred lines of dialogue to command an audience—you just need the right look and the right attitude.

Behind the Scenes of The Master (1984)

If you grew up in the mid-80s, you likely remember the "Ninja Craze" that swept across pop culture. At the heart of that whirlwind was a show that shouldn’t have worked, yet became an absolute cult legend: The Master (1984).

While the show followed the classic A-Team "drifter-helps-locals" formula, its true soul was the unexpected casting of Spaghetti Western icon Lee Van Cleef as John Peter McAllister—the first Occidental to become a Ninja Master.

Let's step behind the curtain of the "Butterfly House" to see how this bizarre, beloved series came to life.

The Casting "Pivot" from Coburn to Van Cleef

It’s hard to imagine anyone else in that black gi, but Lee Van Cleef wasn’t the first choice. The role was originally developed for James Coburn. When that fell through, the producers turned to Van Cleef.

The shift changed the entire vibe of the show. While Coburn might have brought a lean, athletic energy, Van Cleef brought gravitas. He looked like a man who had survived a hundred lifetimes, giving the show a "weary warrior" depth that contrasted perfectly with Timothy Van Patten’s energetic, bumbling apprentice, Max Keller.

Sho Kosugi: The Real "Master" Behind the Scenes

The secret weapon of the production was undoubtedly Sho Kosugi. Already a martial arts superstar, Kosugi played the antagonist Okasa, but his work behind the camera was even more vital

• Sensei to a Legend: Kosugi actually visited Lee Van Cleef’s home before filming began to give him a crash course in "Ninja 101." He taught the nearly 60-year-old actor how to properly draw a katana and throw shuriken so he looked authentic in close-ups.

• The Invisible Double: Let’s be honest—whenever "The Master" put on his mask and started doing backflips, that wasn’t Lee Van Cleef. Because of Van Cleef’s age and a lingering knee injury, Kosugi (along with other stunt performers) did the heavy lifting. In some episodes, Kosugi was essentially fighting himself—playing the villain in one shot and doubling for the hero in the next!

Fighting the "Death Slot"

The production of The Master was a race against time and ratings. NBC infamously scheduled the show on Friday nights directly against Dallas, the #1 show in America at the time.

The "behind the scenes" atmosphere was often high-pressure as the crew tried to deliver cinematic-level martial arts choreography on a grueling TV schedule. This led to the show’s signature "jump-cut" editing style—a clever way to hide the transition between Van Cleef and his stunt doubles during fight scenes.

The Van Cleef Legacy

Even though the series only lasted 13 episodes, Lee Van Cleef’s portrayal of John Peter McAllister left a permanent mark. He didn't play a superhero; he played a mentor.

Despite the obvious stunt doubling and the 80s cheese, Van Cleef took the role seriously. He brought a sense of honor and "Old World" discipline to the screen, making a generation of kids believe that maybe, just maybe, an old cowboy could become a deadly ninja.

Behind the Scenes of The Killing Machine (1984)

If you’re a fan of gritty, high-octane 1980s action, then Killing Machine (originally titled Goma-2) is likely already on your radar. Released during the peak of the decade's "vengeance" subgenre, the film is a fascinating artifact of European-American co-productions.

While Jorge Rivero takes the lead as the retired hitman forced back into action, the production is elevated by the presence of the legendary Lee Van Cleef. Let’s go behind the lens to see how this Spanish-produced thriller came together.

The "Evil Lawyer" Archetype

By 1984, Lee Van Cleef was firmly established as the go-to veteran for bringing instant "cult" credibility to international action films. In Killing Machine, he plays Maitre Julot, a role that allowed him to lean into his more calculating, intellectual brand of menace.

• Strategic Screen Time: Similar to his role in The Octagon, Van Cleef’s presence is a masterclass in efficiency. He doesn't need ninety minutes of screen time to dominate a film; his sharp delivery and that signature steely glare do the heavy lifting in just a few key sequences.

• The Transition Years: This film was shot during a prolific period for Van Cleef, nestled between his iconic turn in Escape from New York and his lead role in the TV series The Master. You can see him refining the "elder statesman of action" persona that defined his final decade.

Production Trivia: Dynamite and Dust

Directed by José Antonio de la Loma, a filmmaker known for his gritty "Quinqui" films (Spanish street-gang cinema), Killing Machine was shot primarily in Spain. De la Loma brought a raw, visceral energy to the production that felt distinct from the more polished Hollywood actioners of the time.

• Explosive Authenticity: The original title, Goma-2, refers to a specific type of industrial dynamite commonly used in Spain. The production didn't shy away from this theme—the film features some truly impressive (and arguably dangerous) pyrotechnics involving trucks and fruit warehouses.

• An International Ensemble: The set was a melting pot of talent. Alongside the American icon Van Cleef and the Mexican superstar Jorge Rivero, the film featured Margaux Hemingway and Willie Aames. This eclectic casting was a hallmark of 80s "Euro-Cult" cinema, designed to appeal to as many international markets as possible.

• The Trucking Noir: Much of the film’s unique aesthetic comes from its focus on the Spanish trucking industry. The behind-the-scenes logistics involved filming on actual Spanish highways and in working industrial zones, giving the movie a grounded, blue-collar grit that contrasts with the stylized violence.

The Van Cleef Silhouette

Even in the mid-80s, Van Cleef’s screen presence remained unchanged. In Killing Machine, the cinematographers made sure to capture those famous eyes in tight close-ups, a visual nod to his Spaghetti Western roots.

The production utilized high-contrast lighting to emphasize his sharp features, ensuring that even when he was playing a lawyer in a suit rather than a gunslinger in a poncho, he looked every bit the most dangerous man in the room.

Legacy of the "Machine"

Killing Machine stands as a prime example of the 80s revenge thriller—a film that is as much about atmosphere and "cool" as it is about its plot. For Lee Van Cleef fans, it remains a must-watch, serving as a reminder that the "Man with the Golden Gun" never lost his edge.

Whether you know it as Goma-2 or Killing Machine, the film is a testament to an era when practical effects, international casts, and the sheer charisma of Lee Van Cleef were enough to create a lasting cult classic.

Behind the Scenes of Escape From New York (1981)

When John Carpenter’s Escape from New York hit theaters in 1981, it redefined the dystopian action genre. While Kurt Russell’s Snake Plissken became the face of the film, the entire narrative rests on the shoulders of the man pulling the strings from Liberty Island: Lee Van Cleef.

As Bob Hauk, the cold-blooded Police Commissioner, Van Cleef brought a level of gravitas that grounded the film’s high-concept premise. Let’s dive into the production history of this cult masterpiece and Van Cleef's pivotal role.

The "Angel Eyes" of Liberty Island

John Carpenter famously sought out Lee Van Cleef specifically for the role of Hauk. He wanted a "heavyweight" who could stand toe-to-toe with Snake Plissken’s cynicism without breaking a sweat.

• A Screen Icon’s Return: By the late 70s, Van Cleef had spent years as a superstar in European "Spaghetti Westerns." Casting him as the authoritarian Hauk was a masterstroke; he used that same predatory intensity he honed in the desert, but traded the duster for a black uniform and a desk.

• The Chemistry of Conflict: The dynamic between Van Cleef and Russell was crucial. Carpenter noted that Van Cleef’s presence forced Russell to play Snake with more grit. In their scenes together, you aren't just watching two actors—you're watching the collision of two different eras of cinematic "cool."

Production Trivia: Building a Ruined NYC

Despite the title, very little of Escape from New York was actually filmed in the Big Apple. The production is a masterclass in low-budget ingenuity and atmospheric world-building.

• The East St. Louis Fire: To find a city that looked like a war zone, the crew filmed in East St. Louis, Illinois, which had recently suffered a massive fire that left entire blocks charred and abandoned. This provided the "natural" decay that no set designer could replicate on a budget.

• The Matte Magic of James Cameron: A young, pre-Terminator James Cameron worked on this film as a special effects director and matte artist. He helped create the stunningly realistic shots of a ruined Manhattan skyline using detailed paintings and models.

• Van Cleef’s Health: During filming, Van Cleef was dealing with some knee issues. If you watch closely, his character is often seated or standing very still. This actually worked in favor of the character, making Hauk feel like a coiled spring—a man who didn't need to move because he had the world on a leash.

The Hauk Aesthetic

Even in a futuristic 1997, Van Cleef maintained his iconic silhouette. His sharp features and that legendary piercing gaze were highlighted by the film’s high-contrast lighting. Carpenter used wide lenses to emphasize the distance between Hauk and his subordinates, making the Commissioner feel like a solitary, looming figure of authority.

His delivery of the "Glider" sequence briefing remains one of the best examples of exposition in cinema history. He doesn't just explain the mission; he makes the stakes feel fatal.

A Bridge to a New Decade

Escape from New York was a turning point. It proved that Van Cleef could still command an American audience in the 1980s, leading to his later cult roles and his transition into iconic TV performances.

For fans of genre cinema, the film is more than just an action flick—it's a beautiful collision of Carpenter’s synth-driven atmosphere and the timeless, steely presence of Lee Van Cleef.

Behind the Scenes of The Octagon (1980)

While Chuck Norris was the high-kicking headliner of the 1980 martial arts cult classic The Octagon, for many of us, the real gravity of the film comes from the presence of a cinematic titan: Lee Van Cleef.

Stepping away from the dusty trails of the Spaghetti Westerns that made him a legend, Van Cleef brought his steely gaze and unmatched screen presence to the burgeoning "ninja craze" of the early '80s. Here is a look at the behind-the-scenes stories and the impact of the man with the "Angel Eyes" on this action staple.

The Return of a Legend

By 1980, Lee Van Cleef had spent years as a massive star in Europe. The Octagon marked a notable return to American-produced cinema. Playing McCarn, a mercenary leader and "guardian angel" to Norris’s character, Van Cleef provided a veteran weight to a script that was—let’s be honest—leaning heavily into the era's martial arts cheese.

• The "Six-Minute" Impact: Despite his top billing, Van Cleef’s actual screen time is roughly six and a half minutes. However, his performance is so concentrated and authoritative that he remains one of the most memorable aspects of the film.

• A Shift in Persona: Often cast as the cold-blooded antagonist, Van Cleef plays a "good guy" here, serving as a tactical mentor. This role foreshadowed his later 1980s work, including his turn as Commissioner Hauk in Escape from New York (1981) and his lead role in the ninja-themed TV series The Master.

Production Trivia: Fire and Steel

The making of The Octagon was as gritty as the film itself. Shot primarily in Southern California, the production utilized locations like Griffith Park and the Biltmore Hotel to ground the secret-society plot in a recognizable Los Angeles.

• The Indian Dunes Fortress: The "Octagon" complex itself—a massive training camp for terrorists—was built at Indian Dunes, north of LA. It featured a 12-foot perimeter wall and was roughly the size of a football field.

• The Final Blaze: In a classic "low-budget logic" move, the producers realized it would be significantly cheaper to burn the entire set down for the film’s finale than it would be to dismantle and haul away the debris. That massive inferno you see at the end? It’s very real.

• The Norris Connection: While Van Cleef brought the veteran acting chops, the stunts were a family affair. Chuck’s brother, Aaron Norris, served as the fight choreographer, and Chuck’s son, Mike Norris, played the younger version of his father’s character in flashback scenes.

The Van Cleef Aesthetic

Even in a contemporary action setting, Van Cleef maintained that sharp, predatory silhouette that made him a star in the 1960s. Fans of his boutique cinema history will notice how director Eric Karson used Van Cleef’s iconic profile to add mystery to the film's "Ninjitsu" mythos. His famous line, "If you saw ninja, you saw a ghost," set the tone for the entire genre's obsession with the "invisible" warrior.

Legacy of a Cult Classic

The Octagon sits at a unique crossroads in film history. It helped launch the 1980s ninja boom and solidified Chuck Norris as a solo action star, but it also served as a bridge for Lee Van Cleef into the final, prolific decade of his career.

For those of us who appreciate the grain of 35mm film and the presence of a true screen icon, Van Cleef’s involvement is what elevates The Octagon from a standard karate flick to a piece of cult cinema history.

Nowhere To Hide - Press Photos

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Jungle Raiders coming to Blu-ray and 4K UHD

 

A release no one saw coming... (or even asked for!)

THE WORLDWIDE UHD/BLU-RAY PREMIERES 

For the final film in his Indiana Jonesploitation Trilogy, director Antonio Margheriti unleashed a “fun and fast-paced” (Good Efficient Butchery) jungle adventure that became a VHS-era favorite, now in UHD for the first time ever. Christopher Connelly (RAIDERS OF ATLANTIS) stars as a cynical safari guide who leads gullible millionaires on bogus treasure hunts in Malaysia. But when a crafty U.S. government operative (the legendary Lee Van Cleef) blackmails him into finding the mythic Ruby of Gloom, they’ll battle death cults, double-crosses, unstable volcanoes and exploding refineries to snatch the jewel from maniacal pirates. Marina Costa (THE FINAL EXECUTIONER) and Luciano Pigozzi (DOUBLE TARGET) co-star in this “utterly charming” (B&S About Movies) action hit written by Giovanni Simonelli (THE ARK OF THE SUN GOD, A CAT IN THE BRAIN) and originally released in America by Cannon Films, newly scanned in 4K from the original camera negative. 

Special Features for JUNGLE RAIDERS: '

Disc 1: UHD Trailer 

Disc 2: Blu-ray 

• The Ruby Trail – Interview With Assistant Director Edoardo Margheriti 
• Italian Credit Sequence 
• Trailer 

Feature Specs for JUNGLE RAIDERS: 

• Aspect Ratio: 2.35:1 
• Runtime: 101 mins 
• Audio: English Mono, Italian Mono 
• Subtitles: English SDH, English 
• Region: UHD: A/B/C, Blu-ray: A

Amazon Links-

UHD

Blu-Ray

Behind the Scenes of The Squeeze (1978)

While Lee Van Cleef is best remembered for his iconic spaghetti westerns, the late 1970s brought him into a very different kind of crime thriller with The Squeeze — also released under titles like The Rip-Off, Diamond Thieves, and Gretchko. In this hard-edged heist film, Van Cleef plays a retired safecracker who gets pulled back into one last dangerous job.

Directed by Antonio Margheriti (credited as Anthony M. Dawson), the film blends Eurocrime style with gritty New York and Hamburg locations, giving it a unique feel among Van Cleef’s post-western work.

Filming on Location

Unlike the deserts of Spain or western backdrops Van Cleef is known for, The Squeeze was filmed on location in New York City, New Jersey, and Hamburg, Germany. The winter streets, damp snow, and gritty urban settings give the film a neo-noir, realistic texture, making the city almost feel like another character.

Lee Van Cleef as Chris “Gretchko”

Van Cleef plays Chris Gretchko (sometimes Ray Sloan), a legendary safecracker who has retired from crime — until Edward Albert’s character, Jeff Olafson, pulls him back in for a diamond heist. The twist? The gang plans to dispose of him after the job, forcing Chris to outsmart both criminals and the law.

This role lets Van Cleef trade his gunslinger swagger for a calm, calculating toughness, showcasing a different side of his iconic on-screen persona.

Supporting Cast

The Squeeze features a strong ensemble:

• Edward Albert as Jeff Olafson, the young man dragging Chris out of retirement.

• Karen Black as Clarisse, an eccentric neighbor caught up in the heist chaos.

• Lionel Stander as Sam, Chris’s old friend and fence.

• Robert Alda as Captain Donati, the determined lawman.

• Peter Carsten as Van Stratten, the ruthless mob figure.

The mix of American and European actors gives the film a unique cross-cultural vibe, blending Eurocrime sensibilities with familiar Hollywood-style performances.

Director Antonio Margheriti

Margheriti had previously worked with Van Cleef on several films, including The Stranger and the Gunfighter and Take a Hard Ride. His experience helped him craft a movie that balanced action, suspense, and character moments. Shooting on location, sometimes in freezing winter conditions, added authenticity and a gritty edge to the film’s urban environment.

Themes: The Last Job

At its core, The Squeeze explores the classic “last job” trope, along with loyalty, betrayal, and mentorship. Van Cleef’s Chris is a man pulled back into danger by old ties, forced to rely on experience, wits, and precision to survive. This gives the film both tension and emotional stakes.

Release & Cult Appeal

Though filmed in 1977–78, the movie didn’t see significant U.S. release until around 1981, often as The Rip-Off. Over the years, it has gained a cult following among Van Cleef fans and Eurocrime enthusiasts, praised for its gritty New York locations, solid ensemble cast, and Van Cleef’s commanding performance.

Final Thoughts

The Squeeze may not be as famous as Van Cleef’s westerns, but it’s a must-watch for fans curious about his later career and his range beyond gunslingers. With a clever heist plot, memorable supporting cast, and atmospheric locations, it remains a standout example of late-70s crime cinema and Van Cleef’s versatility as an actor.

Behind the Scenes of Nowhere to Hide (1977)

Long before Lee Van Cleef became a household name for his spaghetti westerns, he explored American television — including the 1977 TV movie Nowhere to Hide. This film was actually a pilot for a proposed series called Scanlon, designed to bring Van Cleef’s signature tough-guy persona to weekly crime drama. While the series never materialized, the pilot aired on NBC on June 5, 1977, giving fans a rare glimpse of Van Cleef on the small screen.

The Concept: A Pilot That Almost Was

Nowhere to Hide was meant to launch a crime drama series featuring Van Cleef as U.S. Marshal Ike Scanlon, a hardened lawman tasked with protecting a dangerous mob informant. The idea was simple but engaging: mix tense crime storylines with Van Cleef’s cold, authoritative presence.

Networks at the time often aired pilots as “Movies of the Week” to gauge audience interest. While the pilot delivered Van Cleef at his icy best, NBC ultimately passed on the series, leaving Scanlon as a one-off television curiosity.

Cast & Characters

The pilot featured a mix of seasoned TV actors and guest stars:

• Lee Van Cleef — Ike Scanlon
  Van Cleef steps out of the western and into a modern lawman role. Cold, calculated, and commanding, he brought his signature gravitas to the part of a marshal navigating organized crime.

• Tony Musante — Joey Faber
  Musante plays the mob informant whose life Scanlon must protect. 

• Charles Robinson & Russell Johnson
  Supporting roles help round out Scanlon’s world and bring credibility to the pilot’s mix of action and character drama.

The ensemble helped give the story texture, balancing Van Cleef’s commanding lead with emotional and professional stakes.

Behind the Scenes

Directed by Jack Starrett, the pilot blended action, suspense, and character-driven storytelling. With television budgets in mind, production relied heavily on location shoots, practical stunts, and tight shooting schedules.

Van Cleef reportedly took the project to explore TV work and diversify his career, stepping away from typecast villain or gunslinger roles. The pilot allowed him to showcase a more modern, procedural-style toughness suitable for the small screen.

Release and Legacy

Although the series never happened, Nowhere to Hide aired as a one-off TV movie and remains a notable footnote in Van Cleef’s career. Fans of the actor appreciate it as one of the few times he led a prime-time American TV drama, and as a glimpse of what could have been in the 1970s crime genre.

Today, the pilot holds cult appeal among collectors and Van Cleef enthusiasts, representing an unusual bridge between his European film work and potential American television stardom.

Final Thoughts

Nowhere to Hide is a fascinating piece of television history. It’s a chance to see Lee Van Cleef in a different light — not as a western antihero, but as a calculated, commanding lawman on American TV. While the pilot didn’t spin off into a series, it remains a unique chapter in the career of one of cinema’s coolest tough guys.

Behind the Scenes of The Hard Way (1980)

By the late 1970s, Lee Van Cleef had firmly established himself as a legend of the spaghetti western. But one of his more unusual late-career roles came in The Hard Way (1980), a British-Irish crime thriller that pushed him into neo-noir territory. Co-starring Patrick McGoohan and Edna O’Brien, this film is a fascinating example of Van Cleef’s versatility outside the Old West.

Filming in Ireland – Not Spain or Hollywood

Unlike most of Van Cleef’s earlier work, The Hard Way was filmed entirely in Ireland, using real locations across Dublin and the countryside, including the Luggala estate and Glendalough. These locations gave the film a gritty, atmospheric feel — urban streets, misty rural landscapes, and historic estates replaced the familiar deserts of Spain or Hollywood western sets.

The production was a UK-Irish co-production, with modest budgets but plenty of ambition, creating a unique setting for a crime thriller that feels both authentic and slightly offbeat.

Cast & Characters

Patrick McGoohan stars as John Connor, a professional hitman ready to retire after one last dangerous assignment. McGoohan brings a weary, measured intensity to the role, giving the story emotional weight and moral tension.

Lee Van Cleef plays McNeal, the handler who pushes Connor to take on his final job. Far from his swaggering gunslinger persona, Van Cleef here is icy, professional, and morally ambiguous — a master of understated menace.

Edna O’Brien co-stars as Kathleen, Connor’s estranged wife, whose presence adds emotional stakes and depth to the story. Supporting roles from Irish actors like Donal McCann and Ronan Wilmot add texture, grounding the film in its local setting.

Behind the Scenes: Style & Tone

Directed by Michael Dryhurst, primarily known for television work, the film emphasizes mood and character over nonstop action. Dryhurst’s approach — deliberate pacing, tension-filled shots, and location-heavy shooting — gives The Hard Way a neo-noir atmosphere unusual for Van Cleef’s late career.

Cinematography focuses on Ireland’s urban and rural landscapes, capturing misty streets, slick alleys, and rugged estates, lending a cold, realistic backdrop to the story.

The score is subtle and tension-driven, blending dramatic cues with natural soundscapes rather than bombastic action music, reinforcing the film’s slow-burn suspense.

Release & Legacy

Originally broadcast on ITV in the UK, The Hard Way later reached international audiences via home video and limited theatrical releases. While it didn’t make a huge impact at the time, it has since gained a cult following among Van Cleef fans, appreciated for his rare late-career dramatic work outside westerns.

Why The Hard Way Matters

• One of Van Cleef’s few crime thrillers outside the western genre

• Showcases his talent for subtle, menacing performances

• Offers a unique Irish neo-noir backdrop rare for the era

• Features strong co-stars like Patrick McGoohan and Edna O’Brien

For fans of Lee Van Cleef or vintage crime thrillers, The Hard Way is a hidden gem, a late-career highlight that shows a different side of the actor and the versatility of European genre cinema at the dawn of the 1980s.