Welcome to theBad.net Lee Van Cleef Blog! Here you will find information, photos, videos, and some of my opinions of the badman himself.

Many thanks to the wonderful members of theBad.net Lee Van Cleef Web Board for their contributions and continued enthusiasm!

Saturday, June 20, 2015

Big Gundown - Lobby Cards

Click to enlarge!


 

 

 

 

 

 

 
 

Saturday, June 13, 2015

Van Cleef Prospers As ‘Good Guy’ - 1969 Article

 


THE BLADE: TOLEDO, OHIO, MONDAY, AUGUST 18, 1969
Van Cleef Prospers As ‘Good Guy’
By JOHN SCOTT

HOLLYWOOD (T-P) - - One of the four men who menaced Gary Cooper in “High Noon” has hit the jackpot 17 years later. Lee Van Cleef, who earned $500 a week in the classic western by acting villainous, is now an action film star whose fee per production is $400,000.

“I didn’t speak a word in “High Noon,’” Van Cleef recalled the other day as he relaxed between movies. “In 1951, Stanley and Earl Kramer saw me in a play, ‘Mister Roberts,’ and offered me the role eventually played by Lloyd Bridges in the film providing I would have my nose fixed. I refused and wound up as one of the four villains. The other three? Bob Wilke, Sheb Woolley, and Ian MacDonald.”

Is he glad he turned down the nose job?

“Absolutely,” the tall, lean, rugged-looking Van Cleef replied with a grin. “Now people remember this beak.”

After a straight diet of bad-man characterizations in about 50 movies, the arch-villain decided to exchange his black hat and horse for white ones, and to become what he calls “a modern hero.”
“By that, I mean a nonangelic sort of character who’s still on the side of the law,” he pointed out.

“And where did I develop this type of role? In Italy.”

Van Cleef said before his metamorphosis in United Artists’ “For a Few Dollars More,” an Italian-made western, he had raised his salary in the United States to $1,250 in “How the West Was Won.”

“Sergio Leone, the Italian director, was looking for types around Hollywood and talked me into going abroad,” Van Cleef recalled. “My story suddenly turned into a rags-to-riches saga. And just in time, too, because I was reaching a performing lag in Hollywood.”

Since 1965 the villain-turned-hero has made eight pictures abroad, all winners at the world’s box offices, and he’s enjoying stellar status for he first time.

In a week he’ll start “Barquero,” an Aubrey Schenck production for United Artists, on location in Colorado, after which he’ll return to Italy for “Professional Gun,” in which he will portray a jungle mercenary hired, because of his killer instinct, to avenge a father whose two children have been kidnaped and murdered. I do what the law can’t do,” he explained. “However, there are scenes of tenderness that make me into a sort of hero.”

In the negotiation stage are more U.S. films, including “Scalawag” and “El Condor,” and one to be made in South America, “Gaucho.”

“If I do “Gaucho” I’ll have to play guitar and sing,” Van Cleef chortled. “Like my nose, my singing will never be forgotten.”

Van Cleef found that in his European westerns and other adventure films he was playing what he figures to be a sort of James Bond type. “Or, if you prefer, the sort of role that brought Humphrey Bogart fame,” he said.

The actor pointed out that Italian-made westerns (which use outdoor locations in Spain) are primitive in some ways, but more inventive than westerns produced in Hollywood.

“They have borrowed our techniques, but if they use cliche situations they are done in colorful style,” he said. “One thing that hit me right away was the authenticity of props like weapons, etc., and those horses! No well-trained geldings, but fiery stallions. Actors better know how to ride ’em, or else.
“Various languages are dubbed for countries in which my European-made pictures are shown,” he went on. “ “They do this right in Rome. They try to get actors who speak a little English, so when they ‘post sinc’ into English the mouthings aren’t too far off. Phonetics are used, too.”

While Van Cleef looks bellicose, he’s anything but. His hobby is portrait and figure painting, with a studio in his San Fernando Valley home.

Saturday, June 6, 2015

DVD Review: Captain Apache

 
As a blu-ray release of Captain Apache has yet to appear (but is rumored to hit the US in October), I have opted to give a DVD review of the best quality version of this DVD on the market.

Most copies you will find of Captain Apache are of an old full screen public domain print that has been floating around since the 1980's.  In 2000 UK Stonevision released a partially widescreen version of the film (in 1:78 aspect ratio, not the proper 2:35).  Until recently this was the best you could do for this film. 

Finally in 2013, UK company Simply Media, released a 2:35 anamorphic widescreen DVD.  Unfortunately, this DVD has only been available in Europe, and as such is region 2/PAL encoded (making it unplayable on most US DVD players)


VIDEO

This DVD does present Captain Apache in full widescreen for the first time, however it is not a stellar transfer.  Image is quite soft, and was obviously pulled from a good quality videotape source.  Color is slightly muted, which could be an aspect of the original print.

Screencaps below-






AUDIO
 
Lee's singing is extremely glorious in this edition!  Also you will notice the Robert Reitty has dubbed pretty much every ones voice except the 3 leads!  English audio only on this disc.
 

EXTRAS

None.


This is the best Captain Apache has ever looked, and probably your best bet until we see a Blu-ray release.  Below is the widescreen evolution of this film on DVD.

 


THE GOOD:
  • Widescreen
  • Decent image quality

THE BAD
  • Region 2 (UK) only
  • No extras

 Amazon.co.uk - Captain Apache DVD